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After an 8-hour work day, I have little energy left over for creative endeavors.  Awhile back, when I first renegotiated a 10-month contract with the university, I had all sorts of ideas for the two months I’d have off.  Whenever I wasn’t traveling, I wanted to be working on some sort of creative project.

In December of 2007, I watched a short, clever cooking video online.  I thought that I might want to create something like that during my upcoming time off.  I approached Oksana about making a “how to” cooking video centered around her borsch recipe.  She liked the idea; we went shopping for the ingredients.

We learned very quickly that cooking videos are not easy to make.  The cooking process itself doesn’t lend itself to multiple takes, pesky steam keeps fogging your lens, and cooking food doesn’t take time out for you to switch to a different angle.  We had grand plans for an explanatory voiceover, but gave it up when we realized it would add hours to the process.  Oksana cooked, I shot, we tried not to argue.  That was the best we could do.

Fast forward a month and I’ve got all the video on my hard drive.  I’m starting in on editing and realizing that making a cooking video engaging isn’t easy, either.  I played around with it for awhile, but bogged down on the timing.  I wanted to make a short video (who’s going to watch a ½ hour recipe on Youtube?) set to some sort of music.  Ozma did a great cover of the suitably Russian Korobeiniki, but their version was even shorter than I needed.  After individually adjusting the speed of maybe a sixth of the clips I wanted to use, I gave up.  Too tedious.

Still, it was a project I always hoped to return to and I passed it from backup hard drive to backup hard drive for two years.  Last week, I dug it up and went back to speed-adjusting clips.  As I was nearing the end of the first rough edit, I decided on a subtitle style.  One sixth of the way through those, I reflected on my penchant for tedium.

I stuck with it, though, and finished the video up this week.  I played the rough cut for Oksana and she approves.  I think there’s enough visual information in the video that an enterprising and ambitious cook could recreate her family’s recipe, but if not, I’m including the actual recipe after the jump.

If you make a batch, let us know how it turns out.  (Also, pro tip from Oksana: It’s actually better after sitting in the fridge overnight!)

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You might think that traveling to Peru and bearing witness to the wonders of Machu Picchu is a once-in-a-lifetime opportunity.  I would have thought so, too, except that I just got back from my third trip there.

I’m always the one advocating some new and exotic locale whenever Oksana and I plan our travels (with the whole world to see, why keep going back to the same places?), but somehow Peru just keeps falling into my lap.

The first time I went was in 1998, when my roommate and I stayed in South America for a couple months after a university trip to Ecuador.  The second time, in 2002, was when I was invited by the university to help lead a class through the country.  Last month, six years later, opportunity came a’knockin’ once again.  Peru had treated me well twice before; how could I say “no?”

Even with my desire to see something new, these recurring trips never disappoint.  The first time there, we flew to Machu Picchu on a helicopter because the train tracks leading to the ruins had washed out in a storm.  The second time, we hiked the Inca Trail and visited many more of the ruins around Cusco.  This time, I was a part of a group that headed down into the Amazon basin for a few days in the jungle.

This was also the first university trip upon which I lugged my video camera around.  The students gave me permission to point my lens in their direction after I promised to make them a great DVD of their adventures.  I shot 14 miniDV tapes worth of footage while we were down there and I plan to add a few more hours of interview footage in the coming weeks.  Before I started editing a project of this magnitude, however, I needed to familiarize myself with what I already had.  It seemed like putting together a short music video would accomplish that goal nicely.

While many of these snippets of video will only mean something to those of us that were in Peru, I trust that the imagery will convey not only the amazing sites we saw, but also how fun, adventurous, diverse, and just downright awesome the people in our group turned out to be.

This is an experiment.  I’m very interested in getting feedback.

Also, visit Transient Books.

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Last year for Halloween, the UAS IT department decided to dress up as hobbits and decorate the office as the Shire. Big floppy feet were slipped on over their shoes, typically hairy faces were shaved, and a giant inner tube was iced with gallons of Crisco.

As always, I followed my coworkers around with a camera that day. They didn’t put on much of a show, just sort of stumbled around campus with their thumbs tucked into their lapels, and yet they still managed to win “Most Unique Department or Costumes.”

I usually try to start editing the previous year’s Halloween music video in September, but I was dreading this one. I couldn’t remember anything memorable caught on tape, and I worried that no theme would ever crystallize. With this year’s Halloween rapidly approaching, I finally sat down to capture the HDV footage in mid-October .

Watching it again for the first time in almost twelve months confirmed what I already knew: I had nothing. From almost an hour of tape, I pulled aside just nine or ten clips that seemed usable. What was I going to do with so little? I did what I always do when I don’t know what to do. I procrastinated more.

I had a fallback plan, but I didn’t really want to go with it. They’re Taking the Hobbits to Isengard was an Internet meme that was passed around sometime after the Lord of the Rings movies were released on DVD. Footage from the movies is edited to a devilish earworm of a song, repetitive in the extreme, which proves that excessive repetition is indeed funny in its own right. The Rule of Seven by way of Tolkien. On Monday, with a self-imposed deadline rapidly approaching, I decided that They’re Taking the Hobbits to Isengard was the best I could do.

I was surprised – blown away, really – by how quickly it all came together.

You can watch it below, but I warn you: If you haven’t seen the original, it’s not going to make a lick of sense…

Sometimes I really love my job.

At the end of September, on what would otherwise have been just another Friday, I got to tag along on a free helicopter ride up into the Juneau icefield.

It was the end of the tourist season and most of the local heli-tour companies were shutting down.  The sun was out, the weather cooperating, and there was just time enough for one more data collection run.

Matt Heavner, one of our Environmental Science professors here at UAS, was working on a remote networking project called SEAMONSTER.  One of his students, Logan, was taking pictures for use in Microsoft’s Photosynth project (Logan also gets credit for the photos posted here.)  Another student and faculty member filled out their team, but even so, there was still one seat left.  Would Media Services like to send someone along to document the afternoon?

Duh.

Normally, I’m low man on the totem pole for video assignments.  We have at least two other staff that shoot and edit on a day-to-day basis and are more qualified to capture video.  (Most of my video work is in the authoring of DVDs or converting their video to online formats.)  But on that Friday they were busy getting ready for a live evening broadcast.  Me?  Free as a bird and just looking for an excuse to test out the new HDV equipment.

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The UAS Campus is gearing up for another Halloween — there are already departments in the process of being decorated. I’m sure it’ll be another fun holiday work day, where very little work is actually done. I’m looking forward to this year, because I plan to shoot the traditional ITS Halloween video in HD. Sure, I probably won’t get around to editing it for another year or so, but I still think it’ll be pretty cool.

I already wrote about last year’s theme, Cirigliano’s Italian Restaurant, but there wasn’t yet a video to post along with it. I’ve made music videos out of these Halloween events dating back to 2000. They’re usually hard work. Finding the right music, establishing a style, telling a story through the images… Some turn out better than others.

Earlier this month I finally found time to start editing the Cirigliano’s video. For the first time, the whole project just sort of eased itself together. The stylistic vision came to me back when I was recording one of the very first scenes to tape (the “cook” and the “gangster” practicing their singing). I wanted to see the scene in an old, desaturated, scratchy film look. That same vision stayed with me all year, and when I sat down to begin editing, each clip just fell into place. Usually editing these music videos together is a long process of trial-and-error, of trying minuscule edits to get the timing just right; this year I barely spent any time tweaking.

Click “more” to watch the video…
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So, yeah. I got to create a couple videos for PAX 2007. Definitely the highlight of the show for me, but also the cause of great stress.

It all started with a phone call. I’d been on familiar terms with Travis for more than a year, but it was the first time I’d ever talked to him without a game interface between us. He wanted to talk about creating specific Halo 3 visuals for the Omegathon, but the secrecy was so tight on the final round, he couldn’t risk accidentally mistyping anything over World of Warcraft. It may seem trivial – knowing the final game of the Omegathon – but it’s a secret some people would pay money to have.

The idea, passed around the Penny Arcade office, was to have the Minibosses play a rocking cover of the Halo Mjolnir theme. Everyone was expecting a decades-old, retro video game, so they wanted to create a huge spectacle when they revealed one of the most anticipated video game titles of the year. What would complement the Minibosses? Someone suggested extracting the Cortana images from the Halo 3 2006 E3 trailer.

Calls were made to Bungie, to see if they wanted to whip something specific together, but they were busy putting the finishing touches on Halo 3 for the looming September release date. In the meantime, could I do something with the E3 trailer as a plan B? Hell, I didn’t know, but I sure wanted to try!

The next day I downloaded the highest quality version of the trailer I could find, a nice fat 1280×544 HD Quicktime video. My first impressions didn’t give me great hope. The isolated segments of Cortana were very short. When I went frame-by-frame, I discovered that most of the blue static that gave it such style was actually composited over the top of the too-recognizable Halo elements. I wasted some time in Photoshop, seeing if I could isolate just the blue and white, but I always ended up with highlights from the background, too. All I could really get were tiny, one-or-two second pieces of Cortana. Not nearly enough to fill out the presentation.

Not only that, but there was audio underneath Cortana’s monologue. I eliminated some of it with Audition, but to reduce it any farther began to alter her voice.

I spent much of that afternoon slicing up Bungie’s intellectual property (and feeling bad about it), looping and rotating and reversing and duplicating elements of their static, just to get maybe 20 seconds worth of video. I wasn’t sure it would be enough.

I compressed the rough edit down to something reasonable for e-mail and fired off a copy to Travis. I wanted to be clear that it was a rough edit, that I didn’t consider it finished by a long shot, but I needed to know if I was heading in the right direction. Here’s my e-mail, with a link to the video file I attached:

Okay, so a progress check.

I know that Bungie might come through with something that’ll make this project obsolete, but that’s fine. Great, in fact. I feel a little weird mangling their IP.

First and foremost, this is a rough draft (in iPhone format!) just to see if I’m going in the right direction. Watch it first, maybe, then check the notes below.

Things I’ve noticed:

Placing the bits of monologue right next to each other emphasizes their differences. The bits of notes and chords that are still there, the differences in the voice because some audio editing was done. I don’t think we’ll ever be able to completely repair the audio, but it could be good enough.

Especially if, you know, loud music is playing over top of the whole thing.

(Knowing the exact length of this mini-event would be great. Probably won’t happen. How are we going to sync this with the live music?)

Much of the blue flashy light effects are duplicated from other areas in the video. When you watch the original trailer, you’ll realize a lot of that static goes on over top of the recognizable Halo figure and background. I had to trim all that off. To fill in black areas, we can alter (reverse, play backwards, flip, etc.) any section we’re already using.

The sections of a recognizable talking head are so short that I don’t think we’ll be able to keep the head on screen the whole time. Too repetitive.

The ending, I think, could be awesome. Especially if we can somehow sync to the music like the original trailer did. I left the end-music in this rough draft to get a feel for how it could be done.

I think the “3” logo should definitely stay. I think the Bungie logo can go, but that means cloning in more blue static. I replaced “Finish the Fight 2007” with “Omegathon 2007,” though “finish the fight” is rather appropriate for the final round.

Comments? Be brutal with your criticism.

-A.

I expected to get a lot of feedback, some good directions for the next step. I didn’t expect Travis to forward it to the Penny Arcade guys, nor the responses I’d get from them.
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