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While driving down the Alaska Highway in British Columbia, you can’t help but spot some wildlife.  We expected to see some deer (and we did, two), hoped to see a bear (four of them; three black, one grizzly), and sort of doubted we’d see any moose (but we saw two, anyway).  It never even occurred to us that we might run into some buffalo.

The first two we spotted were slowly lumbering along the side of the road, munching on the grasses that grew on the huge shoulder between pavement and forest.  We stopped the car on the other side of the two lanes of traffic and tried to get some good photos despite the rain.  Unfortunately, those two bison were not exactly interested in us and didn’t even look up from their meals.

As we drove from Watson Lake to Dawson Creek, we kept a running total of buffalo going.  Nine, ten, eleven, twelve… and still no better opportunity for a great photo. That is, until we rounded a curve and gave up completely on our count.  Spread across both sides of the road, a herd of at least 40 bison were slowly walking the shoulders.  We saw bulls moving among the cows and newborn calves; a whole social dynamic was on display for us.

We took a lot of photos out both windows.

When one lumbering bull approached my side of the car, I focused in close on his head and snapped a few like this one.  Look into his eye.  I think he’s wondering what sort of a dent he could put into our Jeep…

Canon 5D Mark II
Date: 1:40pm, 3 July 2010
Focal Length: 200mm
Shutter: 1/160 second
Aperture: F/2.8
ISO: 250
Photoshop: Auto Contrast

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The Kennedy Space Center is a sprawling complex located on Merrit Island in Florida.  While much of it, like the Visitor’s Complex, is open to the public, there are checkpoints barring access along most roads in.  Security is tight near launch dates and while you may be able to book a bus tour to certain destinations inside, you can’t just drive onto NASA territory without a badge.

I flashed my Tweetup badge, the security guard said, “Thanks, boss!” and I drove right through.  Felt like a VIP.

On the morning of the 13th, I was cruising along in my rental car, heading for the press site.  Just after the Vehicle Assembly Building came into view, I passed a sign with the Space Shuttle on it proclaiming “1 Days to Launch!”

In fact, I passed a couple such signs, and they got me thinking about what an undertaking a Shuttle launch must be.  That close to launch there must be hundreds, if not thousands, of NASA employees and contractors working very hard to insure that everything goes off without a hitch.  I didn’t see them along the roadway, of course; they were all tucked away in the administrative buildings, the labs, at the launch pad, in mission control.

I loved the idea of those signs along the road, someone dutifully changing their little numbers every evening.  It spoke of morale.  Of teamwork on an epic scale.  I resolved to get a photo before I left.

That evening, after a day full of events and tours, I found myself driving back along the same route.  Traffic was light, and it was easy to spot the sign on the other side of the road.  As if it was meant to be, a gravel strip across the median appeared right beside it.  I pulled a U-turn, parked the rental on the grass and grabbed my camera.

Surprisingly, someone had already switched the “1” to a “0.”  Another reminder that, in just 20 hours, Atlantis would be leaving the Earth.  I took a few pictures, trying to find the best framing with the VAB behind, but I was in a hurry.  Badge or no badge, I felt self-conscious taking pictures of a government installation from the side of the road.

Two minutes later, I was back on the road to Orlando.  Tomorrow was Launch Day.

Canon EOS 5D Mark II
Date: 7:08pm, 13 May 2010
Focal Length: 200mm
Shutter: 1/400 sec
Aperture: F/4.5
ISO: 100
Photoshop: Auto Color

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The day before the STS-132 shuttle launch, the NASA folks had arranged a day full of activities for those of us invited to the Tweetup.  We spent the morning in an air-conditioned tent, listening to guest speakers, but after lunch we were taken on a tour all around the Kennedy Space Center.

One of the places we had the most time was at the Saturn V Center.  It’s a huge museum commemorating all the missions that used the Saturn V rocket.  As you enter, there’s a fantastic historical video, then you’re escorted into the actual control room they used back in the day.  They’ve converted the huge room into a presentation that gives you a good feel for what the excitement level must have been like when they launched those massive rockets.

After our group watched the movie, we had about an hour or so to explore the rest of the museum.  I wandered alone, reading the plaques, examining the models, and taking pictures of some of the exhibits.

Off in a dark room devoted to the lunar missions, this capsule sat in a roped-off corner.

Taking pictures in a museum is usually pretty dull.  The lighting is tricky, especially for anything behind glass.  I’m sure that someone who’s proficient at studio photography would enjoy artfully capturing these types of exhibits, but not me.  Even assuming I’d have the luxury to compose the shots as I’d like, I’d probably just end up with the same photo thousands of other museum-goers took.

It was with that mindset that I snapped a few photos of the Apollo 14 Command Module.  I wasn’t trying for a great picture, just wanted to bring home photos that showed what the Saturn V Center looked like.  Like everything else I shot in there, the camera was on the green (automatic) mode.

I didn’t see the photos until I got back to the hotel, but I was immediately struck by this one.  I love the lighting with the module illuminated and the rest of the corner swimming in darkness.  The camera did a good job exposing, of course; all I did was push a button, but whoever designed the exhibit for the “Kitty Hawk” deserves credit, too.

Also, as a side note, I have to say: Even at ISO 1250, the Canon 5D can take some remarkably noise-free photos!

Canon 5D Mark II
Date: 3:28pm, 13 May 2010
Focal Length: 24 mm
Shutter: 1/20 sec
Aperture: F/4
ISO: 1250
Photoshop: Cloned out tiny light flare near ceiling

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I spent quite a bit of time at the recent NASA Tweetup looking through my camera’s viewfinder.  Although I didn’t come away with any decent photos of the launch itself (I focused on the video this time, instead), I figured this week’s photo would still come from last weekend.

Then I found myself playing with Oksana’s new iPad, installing the Dropbox app.  I tapped into my account and started to play with what could and couldn’t open on the tablet.  That’s when I came across a folder full of Ecuador photos and realized that, even though I hadn’t taken my DSLR along on the trip, I still managed to come away with some decent shots.

This is Baños.  I love this little town tucked in the middle of the mountains.  There are trails everywhere up the steep hillsides and it only takes around 40 minutes to hike to the top (even if you do have to huff and puff through the altitude).

On one such hike, we found ourselves at the surprisingly popular Café del Cielo.  It was one of the few places we encountered in Baños that had unrestricted wi-fi, plus the packed house was a good indication that the food wasn’t bad, either.  They were too busy to even put us on the waiting list, though, so we resolved to come back later.

Later turned out to be New Year’s Eve.  We wanted to be reunited with the rest of the group before midnight, so hiking up and down the trail in the dark wasn’t an option.  We took an expensive cab ride up the meandering roads behind the mountain instead and, what with all the costumed kids stopping us for New Year’s cash donations, it probably took just as long to get there.  Our driver, knowing that we were at his mercy, arranged for an even higher fare for a scheduled ride back down.

But it was all worth it.  Café del Cielo was practically deserted and the very friendly and attentive waiter put us right up against the plate glass windows.  While Robert, Ana, Alicia, and I enjoyed our small meals (everything cost $5 or less; fairly expensive for Baños) and fantastic fancy coffees, I leaned my wife’s point-and-shoot against the window and took many long-exposure pictures.  Oksana’s little Panasonic doesn’t give you any manual controls, but at least its Starlight preset allows you to dial in 15, 30, or 60 second exposures.  This shot was my favorite of the evening; no reflections in the glass and neither over- nor under-exposed.  Sort of the Goldilocks photo of the set.  You know, just right.

Panasonic DMC-TZ5
Date: 8:54pm, 26 June 2008
Focal Length: 29mm
Shutter: 30 seconds
Aperture: F/4.8
ISO: 100
Photoshop: Unaltered

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In 2008, Oksana and I purchased one-way tickets to Florida in the hope of buying a new car.  Fortunately, we found the perfect Jeep the very first day we were there and all we had to do was drive it back home to Alaska.

Even though the most prominent memories we have of the trip are of driving, Oksana constantly doing her MBA homework, driving, Oksana fielding calls from work and driving, we… where was I?  Oh, yeah.  Driving.  We actually did find time to explore a couple places.

I don’t remember how we picked out Bryce Canyon, but it turned out to be a great idea.  I don’t even know if it’s as great as our memories make it seem or if we were just thrilled to have one day on the trip that didn’t involve driving from point A to B.  At any rate, I sure wouldn’t mind going back again.

Once we got there, we scheduled a half-day, afternoon horseback ride; that left the morning for exploring the park.  We asked at the entrance what we could see and do in only four hours and soon after learned just how well it’s laid out.

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In keeping with this week’s theme…

When the Space Shuttle Discovery launched at 6:21am on the morning of April 5^th, the sun had not yet risen.  However, as the Shuttle itself disappeared into the distance, the horizon was beginning to brighten.  It was still pre-dawn when helpful voice over the loudspeakers urged everyone to get back in the busses before the cloud of toxic exhaust fumes had a chance to drift over the Causeway.

Our group piled back into our Grey Line and commenced with the waiting; it would be almost an hour before we moved and another hour or two on the road back to Orlando.  Despite everyone being exhausted (we’d been up all night) the excitement level was high.  Everywhere I looked, people were using the backs of their cameras to show off their photos and video.

While I was sitting there, I happened to glance out the window.  The sun was still below the horizon, but it had started to illuminate just a bit of the Shuttle’s wind-swept contrail.  I remembered something I’d read from Stan Jirman’s (excellent, excellent, excellent!) Shuttle Launch Photography web page:

With a day launch, some of the best pictures are taken after the shuttle is gone. The exhaust fumes often create spectacular cloud formations which are more impressive than a shuttle lifting off (admit it, you have seen pics of a shuttle launch before, but not necessarily one of a cloud like below). [photo link]

I knew we weren’t supposed to be outside, but I decided that asking the bus driver was worth a shot (so to speak!)  I removed my camera’s 400mm equivalent, snapped on a shorter lens, then walked up the aisle to ask if he wouldn’t mind opening up the door for me.  “Of course!  No problem!”

I took maybe three steps from the bus, lifted up my camera, and fired off two, three-shot bursts.  Both bracketed by 1 stop, but otherwise just using the automatic settings. I was back in my seat thirty seconds later.  I checked them out on the camera’s LCD screen and decided my favorite was one of the darker (-1 stop) exposures.

Now tell me that doesn’t look just like a Chinese Dragon!

Canon 5D Mark II
Date: 6:55am, 5 April 2010
Focal Length: 24mm
Shutter: 1/20 second
Aperture: F/5.6
ISO: 100
Photoshop: Slight color correction.

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To celebrate the finale of Australian Idol in 2007, Sydney hosted a fireworks display over the Sydney Opera House.  Much of the story of how we came to see it is presented in Postcard Valet episode 8, but we never mentioned there how we took our photographs in it.

Oksana and I sort of knew there was going to be a fireworks display (even if we didn’t let on in the podcast), so we made sure to get set up beforehand.  What we didn’t know, was when the fireworks were going to go off.  The results were being broadcast live on TV, but it wasn’t as if anyone at Circular Quay had a television…

So we set up two cameras – one for video, one for stills.  The video camera was perched on a tiny tripod atop a piling.  The best we could do with our DSLR was to balance it a little lower down on a railing.  Unfortunately, there was a short stairway down to the water in front of us and other bystanders kept standing right in front of it.

We had the Opera House framed pretty well, but we had no idea how high up the fireworks would be so we just waited. And waited.

You can see in the podcast that when the fireworks finally went off, they were higher than we thought they’d be.  The camera was already set on manual with long exposures, so while I recomposed the shot with the video camera, Oksana simply tilted our still camera back and began taking successive 8 second exposures.  We had 10 files on the flash card by the end of the show, so I guess that means it was somewhere around 90 seconds long.  Seemed longer.

Some of those photos are overexposed, especially toward the end when they wrapped up the pyrotechnics display with a huge finale.  Others have too much smoke hanging in the air.  While this one might not be the very best of the bunch, it’s my favorite.

Canon Digital Rebel XT
Date: 25 November 2007; 9:03pm
Focal Length: 28mm
Shutter: 8 seconds
Aperture: F/10
ISO: 200
Photoshop: Cropped and slightly rotated.